Connect with us


A unique Sesotho sound



MASERU -A SINGER, rap producer and songwriter dedicated to promoting an indigenous approach to music, Senei ‘Sneiman’ Makhalanyane, is one of the few musicians who have stood the test of time in Lesotho.

Boasting a thriving musical career, most of Makhalanyane’s songs are uplifting and are oriented to present a glimmer of hope to members of communities from diverse backgrounds and age groups.

He has been part of the Tšepe Movement, which infuses rap with Sesotho traditions of song and modern Afro sounds.

“Ideologically, the Tšepe Movement is about African unity and instilling a revolutionary mind-set away from the neo-colonial thought and neo-imperialism,” he said.

His journey can be traced back from his high school days when he began his journey in the music industry.

“I have been writing music since high school but I started doing music professionally when I joined the Tšepe Sethuamajoe Art Movement in 2013,” Makhalanyane said.

“That’s when I took some time to work on my music.”

Sneiman said he has encountered many changes as music production and consumption evolves over time.

“The past years have brought about drastic changes in the way music is made and distributed.

“The Internet has played a crucial role in how music is consumed around the world, which in turn affected how musicians and artistes are compensated,” he said.

“For a long time, musicians relied heavily on traditional record labels, which made production and distribution of music completely dependent on labels,” he added.

“The label was the beginning and the end of the artiste’s career: deciding everything from marketing budgets to video productions and tour dates, but all have changed as artistes are able to work independently.

“With the advancement of technology an artiste can pop up from nowhere.”

He acknowledges and hails the contribution of artificial intelligence embodied in gadgets that enables both music producers and consumers to holistically enjoy their stake in music.

He said mobile phones also shifted the power dynamics as they became more popular and brought about the growth of music streaming sites.

“Consumers nowadays have access to music content and physical record stores are no longer relevant,” he said.

The growth of social media also played an important role by suddenly opening the floodgates and things became simple to both musicians and listeners, he said.

For Makhalanyane, passion for one’s craft is crucial and breakthrough becomes inevitable.

“I can’t say there is a perfect marketing tool for a musician. We all have our own tools, although some of them might be similar. In music we learn every day through trial and error.”

The majority of musicians in the country usually take time before they reach their prime and this sometimes forces them to give up along the way.

“We don’t have a music industry in Lesotho to be realistic, so we depend on a foreign industry which has its own gatekeepers, standards and rules so as a foreigner it’s not easy to break through,” he said.

Makhalanyane complained that local radio stations, including state owned media, and promoters give preference to foreign artistes.

“We fail to create our own superstars simply because we don’t believe in our own talent. Indigenous African languages seem to have lost favour due to the influence of international languages,” he said.

“Most people believe that since English is an international language, if you use English you might have a broader audience than one who uses Sesotho,” he said. “Reality is that music is a universal language, if you produce good music people will listen regardless of the language you use.”

Makhalanyane expressed the need for the government and all stakeholders to give preference to domestic arts.

“Our government should formulate policies which will limit the importation of foreign content in the entertainment industry. People should be encouraged to buy and support local content even if it might appear to be of low standard, it will improve with time.”

“Remember South Africa started with Lesilo, Bophelo ke Semphego; Nigeria gave us Mr Ibo, Osofia for they had their national pride.”

He advocated for laws that force radio stations and public places such as restaurants, hotels and clubs to pay for the content they use and to source that content locally.

Different artistes are known for their antics that ultimately culminate in being their brand.

For Makhalanyane, his unique dress code is his milestone trademark.

“Hundred percent ‘semate’! I love my Brentwood pants and shiny expensive leather shoes,” he said with a smile.

“I represent the culture of early Southern African mine workers (maweekente), a culture that developed the popular traditional Sesotho music known as Famo and the modern Sesotho and fashion sense,” he said.

“If one watches my 2018 music video, ‘Shoeshine le manothi’, and ‘Sesotho sa morao-rao’, I articulate the modern Sesotho culture wear which is more popular in Southern Africa.”

So far in his music career, Makhalanyane has produced fantastic music with renowned musicians.

Releasing his first solo album, which features top local and international artistes such as Kommanda Obbs, Big Zulu, ’Mapule, Miss P, Towde-Mac wa Murafe and Mosito Sentšo to name a few, was one of the highlights of his music career.

“I believe it is an album ahead of its time.”
Normally artistes love to follow trends such as Niger beats, Trap beats, boombap beats, kwaito beats, piano beats.

“I believe there is nothing wrong with that.”

But with the Maweekente album, Sneiman decided to change things.

“I wanted at least 80 percent of the album to be made of a new sound,” he said, adding: “I decided to be myself and set my own trend by infusing the elements of the music I grew up listening to, that is, Famo, Hip hop, Afro Jazz and kwaito and I managed to do that successfully.”

“Every time I listen to that album I always say to myself, I am proudly a Mosotho, motho le semate, the real Sneiman and I love it. I am in my own lane, there is no traffic,” he said.

At present, Sneiman is working to drop a single and also collaborating with other musicians to produce more music.

He is working on a music video for his next single.

“The song is called ‘Puleng’ and it is fire,” he exclaimed.

His ambition is to contribute to the “holistic growth” of Lesotho’s music identity, which involves making Basotho heritage part of music production.

“I just want our country to have its unique sound. Our listeners think we are there yet but we are not yet there.

“We are still using Niger beats, trap beats, Maskandi beats and so on as if we Basotho do not have our own sound, our own bounce.

“I will never stop until I see that happen. That’s what I am working on for my next project.”

Makhalanyane said he has already assembled a team of producers and one executive producer “and we will be making history together”.

From the wide collection of the songs he has produced so far, there is one song that stands out to him: ‘Puleng’.

“It totally embraces Bosotho elements,” said Makhalanyane, pointing out that it is not easy for talented artistes to break through as production of music is expensive.

“Music production is costly, especially when you are looking for quality.

“You have to pay for a beat, studio time mastering, mixing and for video production.

“It takes time to raise money to pay for such costs, particularly for independent artistes,” he said.

Besides the primary challenge of producing music, musicians are also faced with the hurdle to reap from their labour owing to exploitation.

“The most unfortunate part is that after such hustles, our songs are used for free in the name of promotion.”

Most of the artistes, he said, get paid peanuts “and you won’t complain because they will tell one that the platform they gave you was enough. They say the platform gives you limelight and an opportunity to rub shoulders with the best musicians.”

Calvin Motekase

Continue Reading


The beauty queen of Lesotho



MASERU – WHILE many children her age were still adapting to the early years of school after kindergarten, Reatile Molefe was already plotting her life goals. Barely 10-years-old, Molefe already knew exactly what she wanted to do in life.

“I was already geared towards being a model at that early age. I was already portraying fancy and modest moves linked to modelling,” said the beauty queen, now aged 22.

It didn’t take time for her mother to identify the potential and found a need to sharpen it further.

“My journey in beauty pageantry started at the age of eight in 2009. The reason my mom thought I should hop into pageantry was because I was active and smart. I also had role models from the industry by then. I mean, I had an ambition of every little girl’s dream of being a star or being dressed in cute ball gowns so I also had a strong desire to be like that,” she said.

“I started my cat walking lessons at Little Miss Lesotho Companies but didn’t win. Not winning gave me motivation to work more towards my craft, it pushed me into wanting more as I couldn’t settle for less,” she said.

Molefe now boasts of 14 tittles to her name. She has donned the beauty pageant crowns in all stages of her life.

“I was crowned Queen in my two previous schools. I was Miss New Millennium High School in 2012 and Miss Lesotho High School in 2017. The 14th title I scooped made me believe in myself even more as I got to gain experience competing with people from different countries,” said Molefe, who has also made a bold statement by competing at the international level.

Molefe attributes her prowess to her high levels of confidence.

“Pageants create a bonding experience where women lift each other up, but what gives me an upper hand is being comfortable, secure with myself and being me throughout,” said Molefe, adding that her favourite category during pageantry competitions is when models are asked to strut the ramp in evening wear.

“That’s when the audience and the judges get to see the creativity, the poise and eloquence of the queens,” said Molefe, who believes that the audience’s response can destroy or build a contestant’s confidence.

“The audience can play either of the two roles during a contest. They may make a positive impact on females taking part because they teach them how to be resilient thus prepare them for real world situations. On the other hand, the audience may also make a negative impact and lead to a whole host of mental issues among participants who may be worried about their image and appearance. This can lead to harmful side-effects,” stated Molefe.

Like other women in the modelling industry, Molefe has come across some challenges.

“An example is trying to get enough support from the general public on my first international contest,” she said.

Another was the cost of competing in beauty pageants as well as evolving body changes, she said.

“Being a beauty queen is not a walk in the park, especially when being judged by the community. And, yes, pageants do help women grow in confidence but without proper mental health support, they can also create insecurities. But through all the struggles, I am thankful to my family and friends. They are my biggest supporters. I may have gone through it all but their unbending support has kept me going,” she said.

Molefe says she considers being crowned second runner up in the Miss Culture International competition held in Johannesburg in 2021 as her most outstanding achievement. She was also crowned Miss Culture Lesotho in 2018.

“What was intriguing to me about this contest was the fact that I was the youngest among the contestants. It proved to be a learning experience for me and it deepened my knowledge about what the modelling world really entails.

“I never doubted myself but I thought I wouldn’t make it as I was the youngest. I got to compete with people of different races, which got me even more motivated. I learned a lot in participating in a multi-racial event,” she said.

Pageantry isn’t just about looks, according to Molefe.

“There is to more to it, like being able to embrace glamour. Beauty is subjective and it can be interpreted in different ways according to the perception of individual viewers. I consider being beautiful as an inside and out perception but the golden rule is to brim with confidence to make it in pageantry,” said Molefe, urging parents to enroll their children in pageantry schools at an early age “even as early as three-years-old”.

“This gives them ample time to develop because the young ones are able to easily learn from others to improve their skills and boost their self-confidence,” said Molefe, who dreams of a day when a beauty queen is considered a legendary woman in Lesotho.

One of her goals is to assist in educating the youth, especially young women, about menstrual health and other sexual and reproductive health issues.

Her target group is mainly girls that live in rural areas and small towns.

“Pageants promote goal setting, encourage us to value personal achievement and community involvement,” she said.

Calvin Motekase

Continue Reading


The stock-theft menace



MASERU – IF you recently enjoyed a nice beef stew at a restaurant in Lesotho there is a high possibility that the slaughtered cow might have been stolen from a farm in South Africa.

If you are in South Africa, it is equally possible that the cow was stolen from a cattle post in Mokhotlong or any other mountainous region of Lesotho.

That is because cross-border stock-theft is on the increase between the two countries. In fact, it has become a thorn in the flesh for farmers on both sides of the border.

Since 1990, 85 percent of livestock owners on the border villages of Lesotho have lost animals to thieves as compared with 49 percentage from non-border villages, according to a study published by Wilfrid Laurier University.

Earlier this month, this problem came into sharp focus when four Basotho men were picked up by the police in Thaba-Nchu in the Free State.

These men, aged between 24-51 years old, were travelling in a car bearing Lesotho number plates. They were transporting cattle that did not have documents.

The SAPS informed their counterparts in Lesotho who rushed to the place to repatriate the suspects.

Maseru Urban Commanding Officer Senior Superintendent Rantoane Motsoela said their investigations uncovered that the cattle crossed into South Africa at Ha Tsolo through the Mohokare River.

Then they were transported from the border into South Africa.

S/Supt Motsoela said they have found that the cattle already had tattoo marks from one farmer in Ficksburg.

But the suspects had no documents to prove that the animals belonged to them.

Both the cattle and the car are still in the hands of the SAPS while investigations are continuing.

S/Supt Motsoela said the suspects are assisting the police with investigations.

In another incident police recovered five cattle of a Mosotho man in Qwa-Qwa, still in the Free State Province.

These cattle were reported stolen in Tšehlanyane in Leribe at the beginning of this month.

Police under their sting operation “Zero Tolerance to Stock Theft” launched their investigations that led to the discovery of the cattle.

The Leribe District police commanding officer Senior Superintendent Samuel Thamae said they were able to recover the animals with the help of the community who tipped them off.

S/Supt Thamae said they stormed Qwa-Qwa with their counterparts in South Africa to identify the stolen animals.

After convincing the SAPS that the cattle belonged to the concerned farmer, they were released to him.

The Mokhotlong District Administrator (DA) Serame Linake says they have been battling cross border stock theft for years.

He says Basotho in Lesotho would go to South Africa to steal the animals that they sell back to South Africa in Vanderbijlparkl after getting fraudulent documents.

Linake says these animals, cattle and sheep, are sold at an auction in Vanderbijlpark.

He says the South Africans on the other hand sometimes also cross the border into Lesotho to steal the animals.

To fight this theft, they have formed good relations with the SAPS, chiefs and councillors.

Linake says when animals are stolen from South Africa into Lesotho, their counterparts simply inform them on this side so that they could waylay them.

“Stolen animals are strictly sold in Vanderbijlpark in South Africa,” he says.

He says in his district animals are not sold in the butcheries like is the case in Maseru and other lowlands districts.

Linake says they are now struggling to control theft that takes place between the northern district and Qwa-Qwa because the perpetrators are Basotho who have now migrated to South Africa.

He says these perpetrators have lived in Lesotho and know all the corridors that they could use to come and steal animals in Lesotho and go back to South Africa.

Police spokesperson Senior Superintendent Mpiti Mopeli says stock-theft is a grave problem in the country.

He says they have formed a special team that is going to reinforce the team that is already dealing with stock-theft in the country.

When there is an alarm that some animals have been stolen, this new team is informed so that it can lend a helping hand.

S/Supt Mopeli says the theft happens within the country’s borders and between Lesotho and South Africa.

S/Supt Mopeli says they are managing to deal with the theft because they arrest the perpetrators and bring them before the courts of law.

He says the public should alert the police when they see animals being stolen so that they can be saved from the hands of thieves.

Army spokesperson Lieutenant Colonel Sakeng Lekola says they have registered big successes in curbing cross-border theft especially after having a post in Mokota-Koti in Maputsoe.

He says they usually hold frequent patrols at the borders to fight this crime.

“We also hold frequent crossings with the South African army to share information regarding cross-border theft,” Lt Col Lekola says.

Lt Col Lekola says they sometimes use air patrols as another way to fight stock-theft.

He says they usually erect camps along the borders so that they can stop animals coming out of Lesotho or vice-versa.

“Last year we had a successful collaboration with South African soldiers where we patrolled the borders from Leribe to Mafeteng. The South African army was on their side and we were also on our side,” he says.

He says they were working together with the police and they reaped good results.

Lt Col Lekola says some herd boys report the theft of livestock long after first trying to track the animals themselves.

He says this gives the cattle rustlers a chance to hide.

He advised the farmers not to erect cattle posts near the borders because they are stolen easily.

“When the South Africans enter Lesotho borders to trace their stolen animals, they make the first encounter with the animals at the cattle posts and drive them away,” Lt Col Lekola says.

He appealled to farmers to work collaboratively with their herders to pay them their dues.

He says some farmers do not pay their herders and those herders usually bounce back to steal the animals in revenge.

“They enter the cattle posts easily because the dogs know them,” Lt Col Lekola says.

Because Lesotho is completely surrounded by South Africa, stock-theft takes place easily between the two countries especially in the provinces of Free State, KwaZulu-Natal and the Eastern Cape.

The porous borders make it easy for the movement of animals to take place between the two countries.

And the theft between these countries has been happening since time immemorial.

The cross-border menace continues to take place despite patrols that are organised by the security agencies from both countries.

A Transnational History of Stock Theft on the Lesotho–South Africa Border, Nineteenth Century to 1994 Journal states that stock theft has long been a problem along the Lesotho–South Africa border.

It says from Moshoeshoe I’s cattle-raiding in the nineteenth century through to the start of the democratic era in Lesotho (1993) and South Africa (1994), the idea that stock theft is both prevalent and an international problem has been generally accepted by all.

According to Farmer’s Weekly livestock theft has a much more detrimental effect on the economy than previously thought, and is becoming more violent.

It says organised livestock theft feeds into other more serious types of transnational organised crimes such as drug, weapons and human trafficking.

And ultimately this results in the creation of illicit financial flows.

Challenges to safety included no fencing along large stretches, and the lack of a suitable roads to enable South African National Defence Force (SANDF) troops to conduct border patrols effectively, Farmer’s Weekly says.

In a piece published in November on the International Security Studies (ISS) website, ISS Today, stock theft was on the rise in South Africa, with 29 672 cases recorded by the South African Police Service (SAPS) for the 2018/2019 financial year.

This represented an increase of 2.9 percent over the previous year.

The ISS said the problem is exacerbated by porous and poorly secured borders, lack of capacity to monitor the border, and mountainous terrain that is difficult to police.

“Such challenges create opportunities and trafficking routes for criminal networks to smuggle livestock, drugs and, at times, firearms across the border.”

The ISS said the transnational livestock theft affects farmers revenue and adds to consumer costs.

It says thousands of animals are stolen and sold through the black market.

And this hurts the economy and goes even further to impact consumers, as these animals could have provided meat.

Majara Molupe

Continue Reading


Matekane to launch microchip project



MAPUTSOE – PRIME Minister Sam Matekane will this Sunday launch a new microchip project designed to combat the rampant stock-theft in Lesotho.

The launch will be held in Peka in Leribe.

Speaking at a rally for his Revolution for Prosperity (RFP) in Maputsoe last weekend, Matekane said the government is weary of the rampant stock-theft that impoverished rural farmers in Lesotho for decades.

“When your livestock leaves your kraals your phones will alert you and your families,” Matekane said amid loud cheers.

He asked the people to go to Peka in great numbers to witness the launch and learn from the livestock microchipping experts how the project will work to combat stock-theft in the villages.

The project was first spearheaded by Thomas Thabane when he was the Home Affairs Minister in 2003.

That year, 120 rams were implanted with the microchip identification system in Masianokeng.

The rams belonged to a company called Mahloenyeng Trading Company (Pty) Ltd.

The then police boss, Jonas Malewa, had microchipped 64 horses at the Police Training College (PTC) a year earlier in a pilot project.

The Home Affairs Ministry had contracted a company called Primate Identity Technology ran by a Jewish man, Yehuda Danziger, to carry out the pilot project.

Danziger was also tasked with observing any side-effects the animals could have after the implantation of the microchip.

The government introduced the microchip implantation technology after realising that stock thieves would easily erase the branding and tattoo marks with red hot metal and acid.

The stock thieves also cut off stolen animals’ ears if they bore the owner’s identification marks.

Microchips are tiny electronic devices, about the size of a grain of rice, which could be stored in a capsule and implanted near the animal’s tail to make it easy to identify and trace lost or stolen animals.

The project however never picked up with successive government not showing any political will to carry it through.

Things are now set to change with Matekane launching the project this Sunday.

Tšepang Mapola & Alice Samuel

Continue Reading