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Theatre sector is on its knees

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GROWING up as mommy’s pretty little boy who was mistaken for a girl made Malefetsane Nkhabu, 50, so shy that he resorted to wearing a long blanket covering his whole body.
This is hard to believe for a man who has grown up to be a well-known comedian entertaining large crowds at halls and other public places.


As a renowned script writer, comedian, singer, freelance consultant, recognised motivational speaker, counsellor, community mobiliser and trainer, Nkhabu says his background positively shaped his thinking.

Hailing from the semi-rural area of Qeme, Ha-Ntsane, Nkhabu could not further his studies beyond Form E. When he grew up, reaching Form E was regarded by many families as an educational ceiling.


“After Form E it was seen as time to look for a job like thousands of many Basotho young men to help parents with household income and pay for one’s siblings’ educational needs,” he said.

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With a chuckle, Nkhabu said his childhood challenges, especially being teased for resembling his mother more than his father “made me the person I am now”.

“People would stop me on the road and ask “u ngoanana kapa u moshanya? (are you a girl or a boy?)”, he recalled, adding that the question irritated him.


He said it is because of that identity issue that he became rebellious and prone to fighting as a means to show others that he was actually a boy.


“I was sometimes unruly for no apparent reason,” he said.

He said soon after enrolling in secondary school, the boarding master wrote to his parents telling them that he needed therapy “because I was doing extra-ordinary things at the dormitories.”

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“I was a naughty boy,” he said.

He said at home he loved working with his mother in the fields and helping her with household chores.


“I am a good cook because of her and sometime before Covid-19 I was selling lunch around town,” he said.

Nkhabu also says what shaped his personality is how his elder brother used to treat him when they were still children.


“I come after a very tough boy, my elder late brother used to beat me for no reason and that made me and my younger brother tough,” he said.

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“I used to watch him closely especially when he was misbehaving and would see my parents very upset, and that would send a message that I should do better than him.”


“However, I loved my mother and always wanted to make and keep her happy. I grew up in a very spiritual family and as I assisted my parents in the Apostolic Church, I gathered and learned spiritual living, hence I love the gospel and preaching.”


Nkhabu is also into theatre and has been in the industry since 1987 when he was a student at Moshoeshoe II High School, in Matsieng.

“I was exposed to theatre together with others when we were doing our Junior Certificate, and we were reciting one book by Zakes Mda, We shall sing for the fatherland, directed by our literature teacher,” he said.


He said they formed a theatre group together with the famous theatre legends Silas Monyatsi, Dan Molefe, David Makhoba, Moeketsi Maema and others.

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“I was the producer and writer of the plays we performed,” he said, laughing.


“And I had an opportunity and offer by FINITE magazine to publish one of my short stories “When the time is ripe” – I do have a collection of short stories and plays.”


In the late 1990s, he was living at Ha-Foso where he founded two theatre groups which were very active, one for teenage boys and girls, and the other for children aged seven to 12 years.


The two theatre groups performed in the Morija Arts and Cultural Festival.
He said the famous and ever growing Bofihla ’Neko, popularly known as Lilaphalapha, joined the group back then and “I believe I groomed him into finding his feet to where he is now”.


“He was very good, active and innovative, informing the scripts very positively and humorously.”

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Nkhabu said he also wrote the radio script for Tšasa, contracted by Sila Monyatsi and his partners under their company, Plot Points.

“That moment meant a lot to me, I got excited even before I started writing.”


He was also contracted by ’Mantsopa Communications and wrote a radio script for their film “Khetho ea Ka” and there is also their film where he acts as a doctor.


He was also featured in a radio play produced by Rathabile Malibo on Gender Based Violence (GBV).

He says Lesotho’s film industry faces multiple challenges, including lack of government support “especially the ministry related to this industry and bringing artists together under one umbrella”.

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To overcome problems in the theatre and arts sector in general, “we need to re-think and re-shape our approach as a whole”.

“There has to be support from the government, unity among artists, forming their own strong umbrella organisation, linking it to potential and resourceful partners and demand to be supported and considered,” he opined. “We are so far behind as a country compared to other countries.”


“It is common knowledge and a fact that most of the very best adverts on both radio and television are produced with engagement of well trained and skilled artists.

“The conceptualisation and messaging of tourism can best be driven through arts, theatre; thus through performance and television.”


He suggested that to improve the theatre industry in Lesotho, there is a need to first include it in the national curriculum, so that appreciation for the sector starts as early as pre-school.

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“Theatre needs to start at school, be taught in classes as part of the curriculum by trained teachers. Acting can contribute a lot to the learning of pupils in schools as it stimulates message receiving and storage, it is fun, entertaining, educational and practical.”


He advised the ministry responsible for culture “to re-invent the wheel, go out there, collect data on available artists and their forms of art, categorise them, bring them together, conduct needs assessment, draw strategies to grow the industry, make plans, implement those plans, monitor and evaluate processes and progress.”


“There has to be an appointment of an artist within such a ministry to represent the interests and aspirations of artists,” he said.


He added: “Artists also need to re-organise themselves, get together, build their capacity, and seize opportunities that may attract and capture the interests of all potential resources.”
Nkhabu described the future of theatre in Lesotho as “blurry”. “Unless someone involved gets on board we may not see the sector growing.”

He said he would encourage the inclusion of arts in the national development plan and national operational plan with clear strategies, plans and implementation approaches and framework of results.

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Nkhabu said artists are leaving Lesotho to neighbouring countries to survive.
“I don’t blame them. They have to, because that is their means of earning a living. In this country there is no plan that will help artists to grow,” he said.

Nkhabu said artists who are leaving the country are unlikely to return “because of the way things are here”.


“The way the country handles issues surrounding artists is not promising any change.”
“There are times when tenders are advertised for artistes to write for local television. The likes of ’Mantsopa and other individual local writers, for example, would submit their technical and financial proposals to the responsible ministry but these never see the light of the day, and no feedback whatsoever is given to them.”

Apart from being a script writer, Nkhabu wears several other caps. Among them is being an Information Officer with the Ministry of Local Government and Chieftainship.


He is paving his way into motivational and inspirational speaking and counselling, skills he said he learned from his late parents.

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“Fortunately, I am already engaging in showcasing myself and have featured in 11 radio programmes locally from motivation and counselling, healthy lifestyles, relationships, workplace motivation, HIV/AIDS to spirituality.”


He joined the Ministry in 2003 and was assigned to the health desk to be the focal person in coordinating a programme linking councils to line-Ministries, key being the Ministry of Health and the Ministry of Gender.


“Most of my work on HIV/AIDS is implemented under the coordination of the National AIDS Commission (NAC),” he said.

He has been trained on the job on various health related issues and obtained a certificate in Monitoring and Evaluation for Excellency in HIV and AIDS Response, a short course done at the University of Pretoria.


He also has a Certificate in Psychosocial Counseling issued by the Institute of Development Management (IDM-Lesotho). Nkhabu holds a Certificate in Palliative Care for Children and was trained by the Ministry of Health and completed the practical part of the training in Bloemfontein at the Pelonomi Hospital.

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’Mapule Motsopa

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BAP appeals judge’s ruling

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MASERU

THE Basotho Action Party (BAP)’s Central Executive Committee has appealed against Justice Molefi Makara’s ruling that it has no powers to suspend Motlatsi Maqelepo and Tello Kibane.

Maqelepo is the BAP deputy leader while Kibane is the chairman of the caucus in parliament.

In a ruling delivered on Tuesday, Justice Makara said the party’s disciplinary committee did not have the powers to discipline the duo when there is a pending High Court case.

The judge also said the executive committee cannot suspend the two when there is a court case seeking to interdict it from doing so.

“The matter is sub judice and it has to be so treated,” Justice Makara said on Tuesday.

The BAP’s central executive committee suspended Maqelepo for seven years and Kibane for five years beginning last Tuesday.

Maqelepo’s suspension will end on January 7, 2032 while Kibane’s will be until January 7, 2030.

Their suspension letters from the BAP deputy secretary general Victoria Qheku, say they should not participate in any of the party’s activities.

They were suspended in absentia after they refused to attend the disciplinary hearing, which they said was illegal.

Yesterday, the BAP leader, Professor Nqosa Mahao, filed an appeal against the High Court ruling.

Professor Mahao, as the first applicant along with the BAP and the disciplinary committee, argued that Justice Makara had erred and misdirected himself when he said he had jurisdiction to interfere with the internal matters of the party.

He reasoned that the High Court ignored the prayers that are purely constitutional under the 1993 Lesotho Constitution.

He said the court erred and misdirected itself “in granting the interim prayers in the face of a jurisdictional objection where no exceptional circumstances existed, especially where the applicants would have remedies in due cause”.

“The Court a quo erred and misdirected itself in granting the interim reliefs retrospectively,” the court papers read.

Maqelepo had earlier argued that there is a court case that is pending in the High Court seeking to interdict the party from charging them in its structures without approval of the special conference he is calling.

He said the party leadership should have awaited the outcome of the case before proceeding with any disciplinary action.

“The party that is led by a professor of law continues to do dismissals despite the issue being taken to the courts,” Maqelepo said.

He said their fate in the party is in the hands of the special conference.

He appealed to all the party constituencies to continue writing letters proposing the special conference.

Maqelepo, Kibane, Hilda Van Rooyen, and ’Mamoipone Senauoane are accused of supporting a move to remove Professor Mahao from his ministerial position last year.

They were part of BAP members who asked Prime Minister Sam Matekane to fire Professor Mahao, who at the same time was pushing for the reshuffle of Tankiso Phapano, the principal secretary for the Ministry of Energy.

When Matekane ignored Professor Mahao’s demands, the latter withdrew the BAP from the coalition government. That decision was fiercely opposed by the party’s four MPs.

Maqelepo started touting members from constituencies to call for the special conference to reverse Professor Mahao and the central executive committee’s decision.

The central executive committee issued a circular stopping Maqelepo’s rallies but he continued, with the support of the other MPs.

In the BAP caucus of six MPs, it is only Professor Mahao and ’Manyaneso Taole who support the withdrawal from the government.

Majara Molupe

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Widow fights stepchildren

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LERIBE

A Butha-Buthe widow is fighting her stepchildren in court after she accused them of making illegal withdrawals of cash from her bank account.

’Maletšela Letšela told the High Court in Tšifa-li-Mali that her four stepchildren had taken advantage of her age and gained access to her money through her late husband’s death certificate which they used to withdraw some cash.

She did not reveal how much had been withdrawn from the account.

Letšela pleaded with the court to order the children to return her late husband’s death certificate.

Maletšela was the second wife to the late Mohlabakobo Letšela.

Mohlabakobo’s first wife died in 1991.

Letšela told the court in an urgent application that she married Mohlabakobo through customary rites in 1999 and they subsequently solemnised their union by civil rights in November 2003.

“I should state that I married my husband as a widower, his wife having passed away leaving behind four children who are respondents in the matter,” Letšela said.

Letšela has two children with Mohlabakobo.

She said at the time of the first wife’s death, they had already amassed property in the form of a residential house in Mokhotlong and rental flats in Butha-Buthe.

“I have always considered this property as belonging to the children of my husband’s first marriage and continue to hold that view,” Letšela said.

“During my marriage and before my husband’s death, we built a residential property at Makopo, Ha-Letšolo, in the district of Butha-Buthe,” she said.

“I had helped my husband to raise his children as my own and we have been living together as a family at my matrimonial home located at Makopo, Ha-Letšolo, until he passed away in October 2024, after a long illness.”

Letšela said after the death of her husband, they worked peacefully with his children without any sense of animosity and they appreciated her role as the widow and joint owner of her husband’s estate.

“This feeling is aided by a written deposition signed by Refiloe and Lietsietsi Letšela (Mohlabakobo’s children from the first marriage) nominating me as the heir in respect of monies held in my husband’s name at both the First National Bank and Standard Bank of Lesotho,” she said.

She said Mohlabakobo, with the aid of the family, wrote letters to appoint her heir to his estate in the event of his death.

She said even the children rightfully appointed her as the beneficiary in respect of these monies with a clear understanding that as a spouse to their late father, she was the rightful person to claim for benefits deriving out of his estate.

She said with the aid of the letter, she was able to withdraw funds from the banks to cover the funeral costs.

“Shortly after my husband’s burial, I was approached by Refiloe, who requested an original copy of my husband’s death certificate claiming she wanted to trace funds in my husband’s bank account held at Post Bank in South Africa,” she said.

“Sensing no harm, I released the copy to her and she left in the company of her brother and sister.”

She said she had no sense at that point whatsoever that Refiloe’s intentions were malicious.

“By that time Refiloe had already assumed possession of my husband’s phone and vehicle, and I did not complain owing to my old age and my understanding that

I did not know how to operate a smart phone, and my lack of skills to drive a car,” she said.

The siblings, she said, never brought any report regarding the funds they were to trace.

“I got suspicious of their actions and immediately sought intervention from the Butha-Buthe police.”

The police called Refiloe instructing her to return the death certificate, but she informed the officer that the copy was now in the custody of her sibling Litsietsi in South Africa.

Litsietsi later responded that she would “return the certificate on Wednesday, November 20, 2024 but that did not happen rather they are now claiming they never took it”.

“Sensing that the situation had gone out of hand, I decided to go to Post Bank with the aim of tracing the movement of these children,” she said.

Letšela said the bank manager told her that the children had instituted a claim as beneficiaries of the funds using the same death certificate.

The manager, she said, advised her to secure a letter of authority from the Master of the High Court for them to handle her case.

The Master of the High Court, she said, could not help her because she did not have the original copy of the certificate.

“I have no other alternative but to seek the court’s intervention as I was advised no actions could be taken without the court’s order.”

’Malimpho Majoro

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Knives out for Molelle

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MASERU

KNORX Molelle’s appointment as the Director General of the Directorate on Corruption and Economic Offences (DCEO) in February 2023 could have been illegal.

The Law Society of Lesotho has told Prime Minister Sam Matekane that Molelle was appointed without being admitted as a legal practitioner in Lesotho, as required by law.

The society claims the information came from a whistleblower on January 2 and was corroborated by its roll of legal practitioners in Lesotho.

The society says the appointment violates section 4 of the Prevention of Corruption and Economic Offences Act 1999 which states that a person shall not be appointed as the DCEO director general unless they have been admitted as a legal practitioner in terms of the Legal Practitioners Act.

In the letter, Advocate Ithabeleng Phamotse, the society’s secretary, tells Matekane that this requirement “is not a mere procedural formality but a substantive qualification essential to the lawful appointment of the Director General”.

“The absence of such qualification fatally impairs the appointment ab initio, rendering it null and void from the outset,” Advocate Phamotse says in the letter written on Tuesday.

The society argues that if left unaddressed the illegality undermines the credibility, effectiveness and legality of the DCEO’s operations and exposes the kingdom to serious risks, including challenges to the lawfulness of decisions and actions made by Molelle.

“Should it be confirmed that the appointment was made in contravention of the mandatory legal requirements,” Advocate Phamotse said, “we respectfully urge you to take immediate corrective action to rectify this glaring irregularity”.

Advocate Phamotse tells the prime minister that if the appointment is not corrected, the society would be “left with no alternative but to institute legal proceedings to protect the interests of justice and uphold the rule of law in Lesotho”.

“We trust that you will accord this matter your highest priority and act decisively to avert further damage to the integrity of our governance structures.”

The Prime Minister’s spokesman, Thapelo Mabote, said they received the letter but Matekane had not yet read it yesterday.

Matekane is on leave and is expected back in the office on January 14.

Questions over the validity of his appointment come as Molelle is being haunted by the damaging audio clips that were leaked last week.

The clips were clandestinely recorded by Basotho National Party leader, Machesetsa Mofomobe.

In some of the clips, Molelle appears to be describing Matekane and his deputy Justice Nthomeng Majara as idiots. He also appears to be calling Law Minister Richard Ramoeletsi a devil.

In other clips, he seems to be discussing cases. thepost has not independently verified the authenticity of the audio clips.

Staff Reporter

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